Once the pieces were cleaned and arranged, we had to fill in the gaps. Advice on the depths of color of various pieces and aid in some of the destroyed Latin inscriptions came from Dr. Micheal Wynne, Keeper of the National Gallery of Ireland.
Artist Kevin Kelly began painting glass to match artwork which the great Micheal O'Connor had painted 150 years earlier. One of the problems we encountered was that the stained glass had aged. Over the years, some of the painted work had faded. We therefore had to reproduce this aging by gently rubbing the painted work with an artist's brush before kiln-firing the glass. These newly-painted pieces match closely the older, aged elements of the panels. Approximately 20 percent of the original glass had to be replaced.